The awards are absolutely what anchor your show. This show is ultimately about honoring the most talented artists and craftspeople in their areas in the world. I think you have to be really honest and aware of the time in which we’re living, and say: “How can we make the best version of a show in today’s environment?” And that’s what I’m trying to do. I don’t know that you try to go back there, because this is a completely different time. The content environment is oversaturated, and the nature of award shows and the connection that audiences have to stars is very different than when you and I were growing up. You hit some of the very main elements of why the show and the reception of the show has changed over the years. How do you recapture that must-watch feeling when audiences now have so many other choices and movies are not at the center of the cultural conversation? You and I grew up in the era when the Academy Awards were a huge, unifying event, with people gathering for viewing parties and betting in office Oscar pools. Will it be “The Power of the Dog”? “Drive My Car”? “Dune”? Our picks for the top prizes on Oscar night. Movies Here’s what deserves to win at the 2022 Oscars But I think there was a feeling that we need to go in a different direction. We have to bring in somebody that’s got big ideas.” They could have had somebody just continue to steer the ship in the direction it was going. The academy was very open and receptive, because they felt like, “We’ve talked about embracing change but now we have no choice. When you first signed on to produce the Oscars in October, what was your vision of what you wanted to bring to the show - and was that vision in sync with the academy? Over Zoom, the Atlanta-based Packer, 47, addressed the firestorm over this year’s deviation from Oscar tradition, the “fan favorite” Twitter competition and what viewers can expect from the 94th Academy Awards - hosted by Regina Hall, Amy Schumer and Wanda Sykes - on March 27. It’s worth the scrutiny.… Everybody’s got an idea of what should be done, as I have learned. “When I stepped into the ring, I knew I was going to get hit,” he said. Packer, who is sharing the load with his co-producer Shayla Cowan, knew when he took the job that it required a thick skin. Clips from the presentation of those awards - film editing, makeup and hairstyling, original score, production design, sound, documentary short subject, animated short and live-action short - will be later incorporated into the broadcast. Hoping to reverse what has been an inexorable slide in the show’s ratings, which reached an all-time low with 2021’s COVID-19 pandemic-dampened ceremony, the motion picture academy announced last month that eight of the less starry awards will be handed out in the hour before the live telecast begins. Producing the Oscars isn’t exactly a walk in the park under the best of circumstances, but this year has brought unprecedented challenges - and unprecedented controversy. “Everything is keeping me up at night - all of it,” he said. Asked if anything is keeping him up at night as the telecast looms, he laughed. Eleven days out from the Academy Awards, the show’s first-time producer, Will Packer, is running on pure adrenaline.
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